UConn Graduate Music Conference 2020

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  • Harmonic-Rhythmic Covalences
    • Echoes from the Periphery: Innovation in the Non-normative Harmonic Syntax of Edvard Grieg’s Lyric Pieces – Layne Vanderbeek
    • Expanded Pentatonicism in Antonín Dvořák’s Op. 91, In Nature’s Realm – Alex Sallade
    • The Role of Beat Two in Funky Grooves – Michael Bruschi
  • Keynote Address – Will Mason
  • Music and Culture, Ancient and Modern
    • Criticizing the Critics: Epistemology, Artistic Identity and the Case of Geri Allen – Lee Caplan
    • Genre Borders in Post-Genre Music: A Case Study of the Ecstatic Music Festival – Anna Reguero
    • John Plousiadenos’s Byzantine Polyphony: Cretans, Venetians, and the Council of Florence – Simeon Brown
  • Performance, Practice, and the Periphery
    • 808s and Heartbreak: An Exhibition of Wagnerian Aesthetics in Hip-Hop Performance – Grant Knox
    • A Deliberate Practice Loop for Music Performance Training – Sean Millman
  • UConn’s 2020 VIRTUAL Graduate Music Conference

Music and Culture, Ancient and Modern

Genre Borders in Post-Genre Music: A Case Study of the Ecstatic Music Festival – Anna Reguero

John Plousiadenos’s Byzantine Polyphony: Cretans, Venetians, and the Council of Florence – Simeon Brown

Criticizing the Critics: Epistemology, Artistic Identity and the Case of Geri Allen – Lee Caplan

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